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B_NORM    
view post Posted on 16/8/2013, 08:12 by: ErleReply
FROM MU TO ARYAN: ANTHROPOGENESIS IN BAGOBO MYTHOS

Erle Frayne D. Argonza


Source: www.pitt.edu/~dash/creation-phil.html
Origin - Bagobo (Mindanao)
In the beginning there lived one man and one woman, Toglai and Toglibon. Their first children were a boy and a girl. When they were old enough, the boy and the girl went far away across the waters seeking a good place to live in. Nothing more was heard of them until their children, the Spaniards and Americans, came back. After the first boy and girl left, other children were born to the couple; but they all remained at Cibolan on Mount Apo with their parents, until Toglai and Toglibon died and became spirits. Soon after that there came a great drought which lasted for three years. All the waters dried up, so that there were no rivers, and no plants could live.
"Surely," said the people, "Manama is punishing us, and we must go elsewhere to find food and a place to dwell in."
So they started out. Two went in the direction of the sunset, carrying with them stones from Cibolan River. After a long journey they reached a place where were broad fields of cogon grass and an abundance of water, and there they made their home. Their children still live in that place and are called Magindanau, because of the stones which the couple carried when they left Cibolan.
Two children of Toglai and Toglibon went to the south, seeking a home, and they carried with them women's baskets (baraan). When they found a good spot, they settled down. Their descendants, still dwelling at that place, are called Baraan or Bilaan, because of the women's baskets.
So two by two the children of the first couple left the land of their birth. In the place where each settled a new people developed, and thus it came about that all the tribes in the world received their names from things that the people carried out of Cibolan, or from the places where they settled.
All the children left Mount Apo save two (a boy and a girl), whom hunger and thirst had made too weak to travel. One day when they were about to die the boy crawled out to the field to see if there was one living thing, and to his surprise he found a stalk of sugarcane growing lustily. He eagerly cut it, and enough water came out to refresh him and his sister until the rains came. Because of this, their children are called Bagobo.
REFLECTION
The narrative already begins with the time of the mid-Lemurian races when sexual procreation became the mode or reproducing humans. This was the first over-arching context of twinflame soul aspects that would search for each other as husband and wife in the physical plane.
Toglia & Toglibon are the equivalents of the Adam & Eve in Semitic mythos. Adam was anoth...

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Comments: 0 | Views: 36Last Post by: Erle (16/8/2013, 08:12)
 

B_NORM    
view post Posted on 10/8/2013, 08:18 by: ErleReply
MELU & BILAAN CREATION LORE

Erle Frayne D. Argonza


Source: www.pitt.edu/~dash/creation-phil.html
The Story of the Creation - Bilaan (Mindanao)
In the very beginning there lived a being so large that he cannot be compared with any known thing. His name was Melu, and when he sat on the clouds, which were his home, he occupied all the space above. His teeth were pure gold, and because he was very cleanly and continually rubbed himself with his hands, his skin became pure white. The dead skin which he rubbed off his body was placed on one side in a pile, and by and by this pile became so large that he was annoyed and set himself to consider what he could do with it.
Finally Melu decided to make the earth; so he worked very hard in putting the dead skin into shape, and when it was finished he was so pleased with it that he determined to make two beings like himself, though smaller, to live on it.
Taking the remnants of the material left after making the earth he fashioned two men, but just as they were all finished except their noses, Tau Tana from below the earth appeared and wanted to help him.
Melu did not wish any assistance, and a great argument ensued. Tau Tana finally won his point and made the noses which he placed on the people upside down. When all was finished, Melu and Tau Tana whipped the forms until they moved. Then Melu went to his home above the clouds, and Tau Tana returned to his place below the earth.
All went well until one day a great rain came, and the people on the earth nearly drowned from the water which ran off their heads into their noses. Melu, from his place on the clouds, saw their danger, and he came quickly to earth and saved their lives by turning their noses the other side up.
The people were very grateful to him, and promised to do anything he should ask of them. Before he left for the sky, they told him that they were very unhappy living on the great earth all alone, so he told them to save all the hair from their heads and the dry skin from their bodies and the next time he came he would make them some companions. And in this way there came to be a great many people on the earth.
REFLECTION
Of golden hue and white of Divine Light, such is the description of the creator deity Melu. His abode was the ‘clouds’—signifier for the higher dimensions. ‘He occupied all the space above’ clearly projects the Omniscience, Omnipresence, Omnipotence of the One Universal Principle or Almighty God.
‘A being so large’ is an apt description for cosmic beings more so the creator deities who achieved perfection in previous Manvantaras yet, whose auras alone can fill up and protect many stars/suns, planets, and life-forms. The Lord Solar Logos, deity of our Solar system, for insta...

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Comments: 0 | Views: 35Last Post by: Erle (10/8/2013, 08:18)
 

B_NORM    
view post Posted on 13/7/2013, 09:37 by: ErleReply
COSMOGONY AS FILIPINO MYTH VERSIONS

Erle Frayne D. Argonza / Ra

Philippine folklore narratives on creation practically mirror those of its ASEAN neighbors. These folklores are shared by ethnicities coming from two (2) racial groups: Malays (the dominant majority) and Polynesians (aborigines).

The Malayan Filipinos are in kinship with their neighbors, as Malays belong to the last racial families of Lemuro-Atlanteans of the 4th ‘root-race’. The Filipino Malays have their own peculiarities in the mythos narratives, which renders them as distinct in the analysis of folklorists and exegetes.

Polynesian Filipinos are of short stock, very dark brown skin hue, and curly hair. Phenotype groups are: Agta, Atta, Remontado, Dumagat, and related tribes. Remember that the ancient 3rd ‘root-race’ Lemurians were giants, with heights reaching past 30 feet at some point in ancient history, while their direct remnants have been shortened in stature across time for one reason or another (in-breeding normally produce dwarfism).

Let us examine a rundown of sample cosmogony of Filipinos. The most comprehensive anthology is that of Prof. Damiana Eugenio’s writings, published by the University of the Philippines, with a total of 10 Volumes, rendering the anthology as encyclopedic. Incidentally, other scholars of Southeast Asian studies of other nationalities have done equally scholarly pursuits of Filipino folklore, such as the expert below.


Source: www.pitt.edu/~dash/creation-phil.html
D.L. Ashliman (ed.), Creation Myths from the Philippines, 2003.

Contents
1. How the World Was Made.
2. The Creation (Igorot).
3. How the Moon and the Stars Came to Be (Bukidnon).
4. Origin (Bagobo).
5. The Story of the Creation (Bilaan).
6. In the Beginning (Bilaan).
7. The Children of the Limokon (Mandaya).
8. The Creation Story (Tagalog).
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PROF. ERLE FRAYNE ARGONZA WEBSITE: http://erleargonza.com

ARGONZA COSMIC BLOGS & LINKS:
http://erlefraynebrightworld.wordpress.com, http://cosmicbuhay.blogspot.com, http://kathapantas.blogdrive.com, http://talangguro.blogfree.com, http://tribes.tribe.com, http://lovingenergies.spruz.com, www.newciv.org, ...

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Comments: 0 | Views: 50Last Post by: Erle (13/7/2013, 09:37)
 

B_NORM    
view post Posted on 8/7/2013, 07:57 by: ErleReply
DUAL GODHEAD & TRINITIES IN MALAYSIA, INDONESIA, SINGAPORE, SUMATRA MYTHOS

Erle Frayne D. Argonza / Ra


Source: www.answers.com/topic/indonesian-and-malaysian-divinities

Among the many indigenous peoples in Indonesia and Malaysia there are several examples of dual gods and sometimes of trinities. In Sumatra, the Toba Batak see the Absolute Mula Jadi na Bolon as three persons representing the upper, middle, and lower worlds. In Nias there is a two-person divinity representing the dual nature of the universe—good and evil, light and dark. For the Ngaju people of Borneo, Jata is the feminine side of a dual godhead. She represents the lower world and the moon. Mahatala, the male aspect, is the upper world and the sun. Together Jata and Mahatala form the Absolute Tambon Haruei Bungai (see Southeast Asian entries;

REFLECTION

As summarized in book reviews, the peoples of Malaysia, Singapore, Sumatra, and Indonesia share certain myths. Among those precepts shared is the duality of Godhead, which appertains to the Law of Duality among cosmic laws.

Duality of Godhead is actually pre-eminent in cultures to the east of the Caucasus and extends to the islanders of the Pacific who are of Polynesian ethno-racial stocks. The One Universal Principle—the Spirit-Force that projected Life-forms and worlds unto the ‘void’ to create the Cosmos—actually has no gender. However, to perceive Godhead as having a duality, of both Male and Female principles represented, is totally correct and coherent with Theos Sophia or divine wisdom.

It is however incorrect to claim that the ASEAN (to shorten Southeast Asians) myths of Godhead were borrowed directly from the Vedic philosophy of India. It is more correct to contend that both peoples of India and ASEAN (Malays, IndoMongoloids, Polynesians) were of common origin: the 3rd & 4th ‘root races’. 3rd is Lemurian, while 4th is Atlantean. That largely explains the commonality of beliefs in duality of Godhead among ASEAN, Indian, and Chinese peoples (includes Tibetans).

Observe also the Trinities, which is embedded too in the mythos of India (Brahma, Siva, Vishnu) and the West (Father, Son, Holy Ghost). Number 3 is the Upper Triune in the Septenary Low, where 3 + 4 = 7. Four (4), to re-echo, is the Lower Quaternary, comprising of the elements of earth (physical plane), water (astral plane), air (mental plane), and fire (causal or ‘higher mental’ plane).

[Philippines, 23 June 2011]

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PROF. ERLE FRAYNE ARGONZA WEBSITE: http://erleargonza.com

ARGONZA COSMIC BLOGS & LINKS:
...

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Comments: 0 | Views: 36Last Post by: Erle (8/7/2013, 07:57)
 

B_NORM    
view post Posted on 27/6/2013, 07:32 by: ErleReply
GAIA, SOLAR LOGOS IN TIMOR, WESTERN & CENTRAL INDONESIA MYTHOS

Erle Frayne D. Argonza

Source: www.oldandsold.com/articles29/mythology-12.shtml
The cosmogonic myths thus far discussed are derived from western and central Indonesia; and we may now turn to the eastern portion of this area, where another type appears, albeit the available material is exceedingly scanty. Indeed, of true myth-material we have only fragments from the small islands north-east of Timor (the Sermata and Leti Islands)." These seem to indicate a belief in a sky-world and a world below, of whose origins, however, nothing is said." On the other hand, it may be noted that in all of the islands, from and including Timor to the Kei Islands, there is a belief in a male deity living in the sky and associated chiefly with the sun, and a female deity dwelling in or regarded as one with the earth, these being described as husband and wife, and being supposed to mate annually at the time of the monsoon, while it was also believed that the sky once was closer to the earth. In Ceram, Buru, and Amboina, the definiteness of this concept of the heaven father and earth mother becomes clearer; but we have no myths, not even fragments, regarding them. In view of the almost total lack of cosmogonic myth material from this region, as well as from Halmahera and the other islands of the Moluccas, it is premature to draw any conclusions from the resemblance of this concept to the similar, but much more highly developed, ideas in Polynesia; yet it is difficult to avoid the impression that the strength of the belief here in the extreme eastern portion of Indonesia, which is geographically nearest to the Polynesian area, and its apparent absence elsewhere farther west, are significant. Further material, however, alone can settle the question.
REFLECTION

The ‘sky-world’ and the ‘world below’ reflect the synergy of the spiritual dimensions (‘sky-world’) and the material dimensions (‘world below’). The bifurcation of reality into the spiritual and material indicates right away the Law of Duality/Polarity, one of the cosmic laws as per Theos Sophias’ teachings.

‘Of whose origins, however, nothing is said’ signifies the state of silence that had swept mankind about cosmogony and anthropogenesis after the Deluge (end of glacial period/sinking of Poseidonis/Atlantis).

Such a state of mum is counterbalanced, thankfully, by another mythos in which a Male Deity and Female Deity are said to have been involved in creating the Earth and humans. Again, the Law of Duality obtaining. The Male Deity is associated with the Sun, the Above, which signifies the spiritual domains; the Female Deity, with the material domains. Theos Sophia indeed associates the...

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Comments: 0 | Views: 42Last Post by: Erle (27/6/2013, 07:32)
 

B_NORM    
view post Posted on 24/6/2013, 07:39 by: ErleReply
BIRDS & SEA ARCHETYPES IN BORNEO CREATION MYTHS
Erle Frayne D. Argonza / Ra
Source: www.oldandsold.com/articles29/mythology-12.shtml
The origin-legends of the north-west Borneo tribes are related to the type of cosmogonic myth which has just been considered in that they set forth belief in a primeval sea and in the important part played by birds, although they imply something more of a direct creation. According to one of these," in the beginning there was nothing but a wide-spread sea, over which flew two birds, who, diving, brought up two objects like eggs in size and shape, from one of which one bird made the sky, while from the other his fellow created the earth. As the size of the latter exceeded that of the former, it was pressed together in order that it might fit, its resultant crumples and folds producing the mountains and valleys. Other versions 52 speak of an original deity without legs or arms, who seems to have been supported upon an animal, and who by an act of will created two birds, which then formed heaven and earth.
REFLECTION
The sea signifies the astral plane that is governed by the water element. Incidentally, when more advanced species of plants and animals appeared on Earth, the vibratory frequency of the planet was still of the astral or 2nd plane modality, while the entire planet was practically covered by water.
The bird archetype has a number of meanings in cosmogony & divine wisdom. One is the phallic/Desire signification, without which existence and procreation cannot be possible. Another meaning is that of the ‘air element’, as birds are creatures of the air, which therefore refers to the mental plane (3rd plane) that is governed by the same element. Still another meaning is that of the Supreme Being, whenever the bird is a ‘dove’ that is among the standard archetypes for the Almighty Father.
The narrative reveals the interactions or interventions happening at the mental astral planes prior to the full descent of human souls into the dense physical planes. The ‘egg is shape’ is revelatory of the first two (2) ‘root races’ that were asexual in reproduction, and were of shadowy etheric constitution.
The ‘original deity without legs or arms’ clearly speaks of the Creator Beings—collectively identified in the singular—who were amorphous. From the 4th through the 7th planes, beings do not have forms, though they can manifest to mystics and/or rishis with forms and even create temporary bodies to be able to fully manifest before their bakthas (devotees).
[Philippines, 22 June 2011]
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PROF. ERLE FRAYNE ARGONZA WEBSITE: http://erleargonza.com

ARGONZA COSMIC BLOGS & LIN...

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Comments: 0 | Views: 34Last Post by: Erle (24/6/2013, 07:39)
 

B_NORM    
view post Posted on 18/6/2013, 06:57 by: ErleReply
REPTILOID VS DIVINE CLASH IN BATARA GURU OF KARO BATTAK

Erle Frayne D. Argonza


Source: www.oldandsold.com/articles29/mythology-12.shtml
One more version may be given, that from the Karo Battak, who, like the Dairi, live north of the Toba. According to this, Batara Guru, the heaven deity, and his wife, who was the daughter of the divinity of the underworld, full of sorrow at their childlessness, determined to try the effect of penance in poverty and seclusion, and accordingly went to live in a little hut by the sea. Here they planted a small garden, which was destroyed by a great serpent that came out of the water, but when Batara Guru went to drive it away, the monster demanded that he put food into its mouth. Fearing lest his hand be bitten off, Batara Guru wedged open the mouth of the serpent with his sword, and withdrawing his hand, found upon his finger a magic ring which would grant his every wish. The serpent then returned to the sea, and in due course of time, aided by the ring, the wife of Batara Guru presented him with three sons and three daughters. One of these sons created the world in the space between the upper world and the under-world, making it with seven handfuls of soil sent him by his father, who, when the earth was finished, suspended it from the sky by seven silken cords. The newly created world caused the underworld to be darkened, which aroused anger in that one of the three sons who had taken up his residence there. Therefore he shook the world so violently that it was destroyed. Seven times this was repeated, the earth being made anew each time, until the world-maker besought his father to aid him, and this Batara Guru did, setting up an iron pillar which sup-ported four cross-beams, upon which the world was then founded. After this the underworld-brother could shake the world (as indeed he does to this day), but was unable to destroy it.
REFLECTION

‘Batara Guru and wife’ suggest strongly the coupled role of Brahma & elohistic forces on one hand, and that of Shakti (Mother) and the angelic forces on the other hand. ‘Divinity of the underworld’ signifies the deific beings assigned to help create humans in the astral and physical dimensions which collectively are ‘underworld’.

Both forces, from Brahma-Elohim to Shakti-devic/angelic were to collaborate in birthing humans down on the lower planes or ‘underworld’. The ‘little garden’ is the devachan to which early humans had direct access to, that access later to be destroyed by the descent into the dense plane on account of succumbing to the dictates of the reptiloid species that intervened in the evolutionary process.

The ‘7 handful of soil’ refers to the 7 subcontinental regions of each of the supercontine...

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Comments: 0 | Views: 29Last Post by: Erle (18/6/2013, 06:57)
 

B_NORM    
view post Posted on 12/6/2013, 08:23 by: ErleReply
BRAHMA & ELOHIM IN BATARA GURU MYTH OF DAIRI BATTAK
Erle Frayne D. Argonza

Source: www.oldandsold.com/articles29/mythology-12.shtml

The Dairi Battak, who live to the north of the Toba and are .more or less in contact with the Muhammadanized Garo, have a version 26 which presents interesting differences. Batara Guru (Sanskrit Bhattara Guru), the highest of the gods, once sent a servant to get some venison, which was greatly desired by the deity's wife, who was about to give birth to a child. The hunt being unsuccessful, the divinity then sent the raven on the same quest, but he also could find no such food any-where in the realms of the gods. In the course of his search, however, he discovered a cave, in which was a pit whose bottom he could not discern. The longest vine was too short to measure its depth, and a stick thrown down the opening disappeared without a sound to indicate that it reached bottom. Determined to solve the mystery, the raven flew down into the opening, and after a long journey in complete darkness at last reached the surface of a wide-extending sea. After exploring in vain, the raven wished to return in order that he might report his discovery, but could not retrace his way to the opening through which he had come, though luckily he found floating upon the sea the bamboo which he had thrown down the hole, and on this he rested.
Meanwhile Batara Guru became impatient, and accompanied by several attendants, he flew down the dark opening in the cave, taking with him from the sky-world a handful of earth, seven pieces of wood, a chisel, a goat, and a bumble-bee; and reaching the surface of the sea, he built a raft from the pieces of wood. The raven now appeared, sitting upon the floating piece of bamboo, and at his request Batara Guru called to the eight wind-directions, whereupon darkness at once gave place to light. By his command the goat, accompanied by the bee, went down under the raft to support it on his horns; but in finishing the raft the chisel broke, and the handle hit the goat upon the head, which made him shake it violently, and the raft with it, for which the deity chided him and ordered him to keep still. Then taking the earth which he had brought with him, Batara Guru spread it upon the raft, thus making the world, and gave this to the raven for a dwelling-place.
REFLECTION

Another one of the myths that is so rich in archetypes. Batara Guru (Bathala in Tagalog) signifies collectively Brahma, deity of the physical universe, and the Elohim, originally comprising of 7 hierarchs who assisted in the ideation and materialization of forms.

The descent from spiritual to the material planes by the souls so created was also depicted. Venison, raven, bumble bee, a...

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Comments: 0 | Views: 32Last Post by: Erle (12/6/2013, 08:23)
 


B_NORM    
view post Posted on 2/6/2013, 07:22 by: ErleReply
ELOHIM, MU, SOUL DEVOLUTION, REPTILOIDS IN BATTAK MYTH

Erle Frayne D. Argonza / Ra


Source: www.oldandsold.com/articles29/mythology-12.shtml
Deferring for the moment any discussion of these tales, we may turn to a third group of myths, i. e. those of the Battak of Sumatra. The Toba Battak (who of all the Battak tribes are probably the least influenced by Muhammadan or Indian culture) account for the origin of things as follows. Mula Dyadi, the highest deity, dwelt in the uppermost of the seven heavens and had two birds as his servants. Having created three male beings, he caused a tree to exist in one of the lower heavens, its branches reaching to the sky; next he made a hen, which perched on the tree and later laid three eggs, from which came three maidens whom Mula Dyadi gave as wives to his three sons. The daughter of one of these sons refused to marry a cousin of hers because he had a face like a lizard and a skin like a chameleon, and devoted her time to spinning. One day she dropped her spindle, which fell down from the sky-world. On the thread so unrolled she then descended to the surface of the sea which stretched everywhere below. In this primeval ocean swam or lay a great serpent on whose head the heavenly maiden spread a handful of earth brought down at her request from Mula Dyadi by one of his bird servants; and thus she formed the world. The serpent, however, disliked the weight upon his head, and turning over, caused this newly made world to be engulfed by the sea. Thereupon Mula Dyadi created eight suns, whose heat should dry up the sea, and this being done in part, the divine maiden thrust a sword into the body of the serpent, revealed by the shrinking sea, and fastened his body firmly in an island block that he might never again thus destroy the world. With more soil she then re-founded the earth; but after this, having questioned her as to what was to be done with the youth whom she refused as husband, Mula Dyadi declared that she now must marry him, and wrapping the unwelcome suitor together with a blowgun in a mat, he threw him down upon the earth. Unharmed by his fall, and feeling hungry, he shot at a dove which escaped unwounded, but caught the arrow dexterously and flew with it to the village where the heavenly maiden dwelt. Following in pursuit, the youth discovered the girl who had before refused him, found her more tractable, and married her; and so they became the ancestors of mankind.
REFLECTION
‘7 heavens’ signify the 7 subplanes of the heaven-worlds or devachan. Four (4) of the subplanes are in the 3rd plane (mental plane) while three (3) are in the 4th plane (higher mental or causal plane). The 4th plane is dimension of the arupa or formless, though already a material plane; ...

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Comments: 0 | Views: 34Last Post by: Erle (2/6/2013, 07:22)
 

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